MIA KIRSHNER 24X36 COLOUR POSTER PRINT

• Stunning quality 24x36 inch Poster Print!
• Ideal to hang on your wall or frame
• Would look great at home or in your office!
• Exclusive product only available from Moviestore!

A breath of fresh air in a stale genre, Zoe Clarke-Williams's canny look at the catty world of college cliques is the smartest dissection of the complex world of class envy, social acceptance, and the seduction of privilege since Heathers. But this drama plays it for tragedy. Local working-class girl Mia Kirshner is transformed from social outcast to campus Cinderella and adopted into the hedonistic party world of a trio of rich fun-loving sorority princesses (Meredith Monroe, Dominique Swain, and Rachel True), and comes out the other end in a drug-induced coma. Confidently directed and elegantly constructed in puzzle-piece flashbacks, this sensitive, sympathetic, smartly made drama is refresh! ingly free of glib moralizing, the rare young-adult film that twists the usual clichés and leaves its audience with more questions than answers. The DVD also features an audio commentary track by director Zoe Clarke-Williams. --Sean AxmakerForbidden desires and dangerous intrigue generate sizzling heat in this erotic thriller! At a sexy strip club called Exotica, three strangers -- an obsessive man, an erotic table dancer, and the club's mysterious D.J. -- share much more than is apparent at first glance! As their secret passions grow, they become more deeply entangled in an inescapable web of jealousy, deceit, and revenge! The powerfully seductive hit EXOTICA is gripping entertainment -- you won't be able to take your eyes off it!In spite of its atrociously misleading packaging, Exotica is a beguiling mystery by enigmatic Canadian filmmaker Atom Egoyan, in which people and their relationships are not what they seem. What at first appear to be disparate st! ories of a tormented tax auditor, a lonely pet-shop owner, an! d a sens itive stripper and her coworkers gradually merge to reveal a larger, interconnected portrait. The sequences involving Mia Kirshner's schoolgirl stripper are particularly engrossing because of her character's intelligence and the scenes' deeper subtext. Indeed, Exotica is less about stripping than about fragile human relationships, and it is not until the truly revelatory final scene that we are able to fully absorb the film's deeper meaning. --Bryan ReesmanI Live Here is a paper documentaryâ€"an intimate journey to humanitarian crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi.


~THE BOOK~

I Live Here is a visually stunning narrative â€" told through journals, stories, images, and graphic novellas â€" in which the lives of refugees and displaced people become at once personal and global. Bearing witness to stories that are too often over! looked, it is a raw and intimate journey to crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi.

The voices we encounter are those of displaced women and children, in their own words or in stories told in text and images by noted writers and artists. The stories unfold in an avalanche: An orphan goes to jail for stealing leftovers. A teenage girl falls in love in a city of disappeared women. A child soldier escapes his army only to be saved by the people he was taught to kill.

Mia Kirshner’s journals guide us through a unique paper documentary brought vividly to life in collaboration with J.B. MacKinnon, Paul Shoebridge, and Michael Simons, with featured works by Joe Sacco, Ann-Marie MacDonald, Phoebe Gloeckner, Chris Abani, Karen Connelly, Kamel Khelif, and many others.


~THE JOURNEYS ~


Ingushetia
The border of the Russian republic ! of Ingushetia is not even fifty miles from Grozny, the capital! city of Chechnya. Today, some 15,000 Chechen refugees live in Ingushetia. Mia Kirshner and Joe Sacco traveled here together, returning with first-person accounts, video, photographs, and other materials gathered in Nazran and Moscow. The chapter includes journals by Mia Kirshner, the story of a young refugee as told by J.B. MacKinnon, the story of a young piano virtuoso as told by Ann-Marie Macdonald, and a graphic novella of Chechen refugees by Joe Sacco.

Burma
Ethnic cleansing by the Burmese military has displaced an estimated 500,000 to 1 million people; over 100,000 live in refugee camps along the Thailand-Burma border. Burma is also believed to be home to more child soldiers than any other country in the world. Mia Kirshner and Michael Simons took separate trips to the region; this chapter is based on their interviews, photos, and video, as well as writing by sex workers and Karen refugees. It includes journals by Mia Kirshner, as well as work by Chris Abani, ! Karen Connelly, J.B. Mackinnon, and a graphic novella by Kamel Khélif.

Juárez
Ciudad Juárez is a large industrial border city in Mexico across the Rio Grande from El Paso, Texas. Since 1993, young women, many of them employees of Juárez’s more than three hundred maquiladoras, or global trade zone factories, have been disappearing from the streets. Mia Kirshner and Phoebe Gloeckner made independent journeys to this region; this book is informed by the stories and images they brought home. It includes journals, a story of one of the victims by Lauren Kirshner, and a graphic novella by Phoebe Gloeckner.

Malawi
Malawi is one of the world’s poorest countries, and has an AIDS rate close to twenty percent. The disease touches every aspect of daily life in the African nation, introducing immense chaos, particularly in the case of orphan children. Mia Kirshner and J.B. MacKinnon made the trip to Malawi and returned with interviews, ! photographs, writing, and artworks. This book includes journal! s, a chi ldren’s story by J.B. MacKinnon with art by Julie Morstad, and the stories and artwork of boys in a local prison.In spite of its atrociously misleading packaging, Exotica is a beguiling mystery by enigmatic Canadian filmmaker Atom Egoyan, in which people and their relationships are not what they seem. What at first appear to be disparate stories of a tormented tax auditor, a lonely pet-shop owner, and a sensitive stripper and her coworkers gradually merge to reveal a larger, interconnected portrait. The sequences involving Mia Kirshner's schoolgirl stripper are particularly engrossing because of her character's intelligence and the scenes' deeper subtext. Indeed, Exotica is less about stripping than about fragile human relationships, and it is not until the truly revelatory final scene that we are able to fully absorb the film's deeper meaning. --Bryan ReesmanFrom the moment they meet, despite their clashing cultures, Native American John Myr! on (Adam Beach) and Angela Wilson (Mia Kirshner) form an unbreakable bond. One fateful night, John rescues Angela from a wicked act of betrayal. Faced with its aftermath, Angela flees town, unaware that she has set in motion a chain of events that will alter the course of both their futures in this life& and the next. A timeless tale of love combined with all the power and mystery of "The Sixth Sense", Now & Forever defies reason and re-defines the boundaries of the human heart and soul.This is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with con! fidence from Moviestore.

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Tell No One

• TELL NO ONE (DVD MOVIE)

Oscar nominee Kristin Scott Thomas (I ve Loved You So Long, Four Weddings and a Funeral) delivers another acclaimed performance in the passionate drama Leaving. When stay-at-home mom Suzanne wants to return to work, her husband agrees to remodel a garage to serve as her office. Ivan, a sexy Spanish builder, enters their lives and changes them in ways no one could have expected.

Suzanne and Ivan are irresistibly drawn together by an erotic passion that threatens to destroy her marriage, her family and everything she holds dear. Her husband will stop at nothing to destroy her first. In this thrilling romance, everyone pays a price for happiness.Kristin Scott Thomas has transformed from the ice queen of British cinema to a woman of torrid passions in French films--and Leaving may be the most torrid yet. Suzanne (Thomas) leads a pleasant but stale upper midd! le-class life, with two teenage children (demanding and unappreciative, as all teenagers are) and a slightly pushy husband, Samuel (Yvan Attal, My Wife Is an Actress). She has a fling with a Spanish handyman named Ivan (Sergi López, Pan's Labyrinth) that, to her surprise, turns into an overwhelming passion. She can't bear to be without Ivan and decides to leave Samuel… a decision that slowly disintegrates her life. The strength of Leaving lies not in the plot, which holds no radical surprises, but in the vitality of Thomas's performance (particularly striking is a scene in which Suzanne, playfully bantering with Ivan, suddenly discovers she's in deeper emotional waters than she knew) and the cool eye writer-director Catherine Corsini casts over the events. The movie lures you into sympathy with Suzanne, yet there's always something a little unnerving about her, the sense that her mad love might have more madness than love. Thomas's career in France (! including Tell No One and I've Loved You So Long! ) has gi ven this superb actress a new life. --Bret FetzerJuliette Fontaine (Kristin Scott Thomas, Golden Globe® Nominee for I've Loved You So Long, Oscar® nominee for The English Patient) is a frail, haunted woman, an ex-doctor who's a shell of her former self. Having served 15 years in prison for an unspeakable crime, she's back on the "outside." With nowhere else to go, she comes to live with her loving but estranged sister Lea (Elsa Zylberstein). Together the sisters embark on a painful but redemptive journey back from life's darkest edge in this gripping drama of struggle and salvation.Kristin Scott Thomas is brilliant as Juliette, freed from prison after serving 15 years. Enigmatic, reserved, yet ready to re-enter life cautiously, Juliette moves in with her younger sister, Lea (Elsa Zylberstein), a literature professor, and the latter's husband Luc (Serge Hazanavicius), who worries about allowing Juliette into a home with two young children (related t! o the reason she was convicted in the first place). Also in the house is Juliette and Lea's father (Jean-Claude Arnaud), mute from illness. Writer-director Philippe Claudel slowly reveals details about the nature of Juliette's crime as she takes a job in a hospital records department and is wooed by a colleague. Other forces in Juliette's life--people asking questions, a visit to her dementia-suffering mother, tensions between her and Lea--slowly tease out the mystery behind her actions and takes viewers to a conclusion that adds an element of surprise but ties things up too tidily. Claudel cultivates an aura of naturalism and no-frills storytelling that allows dramatic developments and revelations to unfold easily. The film borders a bit on soap opera, but the grace and intelligence of Thomas' performance, offset by Zylberstein's more emotional work, is never less than compelling. --Tom Keogh

Stills from I've Loved You S! o Long (click for larger image)

Based on Harlan Coben s Internation! al best selling novel, Tell No One tells the story of pediatrician Alexandre Beck who still grieves the murder of his beloved wife, Margot, eight years earlier. When two bodies are uncovered near where Margot's body was found, the police reopen the case and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest Margot is somehow still alive and a message to Tell No One .

One of the Best Reviewed Films of the Year! (Rotten Tomatoes - 96% among top critics)

2008 Top 10 List Selections:
-Entertainment Weekly Owen Gleiberman
-New York Times Stephen Holden
-Los Angeles Times Kenneth Turran
-USA Today - Susan Wloszczyna
-Metacritic.com #1 - Marc Boyle
-Plus over 10 others (Washington Post, Oregonian, Newark Star Ledger, Seattle Times, Austin Chronicle, etc.)

Bonus Features:
Deleted Scenes
Outtakes
English Language Track
English SubtitlesBa! sed on the book by American author Harvey Coben, this French s! uspense thriller is one of those exhilarating word-of-mouth gems one can't to tell everyone about. Francois Cluzet stars as Alex, a pediatrician whose beloved wife, Margot (Marie-Josee Croze) was shockingly murdered eight years before. As the anniversary of her death approaches, Alex begins to receive cryptic emails and a video that seems to suggest that she is alive. The discovery of two long-buried bodies at the crime scene turn Alex into some kind of Hitchcockian Everyman, implicated in a crime he could not possibly have committed. But when he makes a mad dash from the police who visit him at his office, he seems to have signed his own confession. This synopsis doesn't even begin to hint at the genuinely exciting and surprising twists, turns, and revelations that await Alex in this Chinese box of a mystery. Brilliantly acted by an ensemble that includes Kristin Scott Thomas and French movie icon Jean Rochefort (Pardon Mon Affaire), Tell No One invites repeat viewing! s, the better to appreciate the intricacies of its plotting and construction. And if you think you have it figured out, there's this from one character who tells Alex at a climactic point, "Wait, there's more." --Donald Liebenson

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