Wednesday, December 14, 2011

Investigating History - Butch Cassidy & the Sundance Kid (History Channel)

  • The last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as
Paul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and lif! e is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written! by William Goldman (The Princess Bride) and directed b! y George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that! Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe f! or the picking all over the world. Robert Redford is his more ! levelhea ded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways t! o get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul New! man plays the legendary outlaw Butch Cassidy as an eternal opt! imist an d self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghStudio: Tcfhe Release Date: 05/10/2011 Rating: Pg13This 1969 film has never lost its popularity or its unusual ! appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautnes! s, and the chemistry between Redford and Newman is rare. (A fa! ctoid: N ewman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tr! icks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThe last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as William T. Phillips in Spokane 20 years later? Did the West's last badman escape the law in the end?

HEROES Helix Godsend Haitian Petrelli Silver Nickel Pendant Necklace

  • Pendant Necklace w/ stock chain
  • Brass
  • Nickel Plated
  • 1 inch tall
THIS TAUT & GRIPPING THRILLER TELLS THE STORY OF DEVOTEDPARENTS WHO ARE WILLING TO DO ANYTHING TO RESURRECT THEIR BELOVED SON WHO WAS TRAGICALLY KILLED IN A FREAK ACCIDENT.While it preys on the emotions of grieving parents, Godsend serves up a few minor shocks in an otherwise frightless supernatural thriller. Greg Kinnear and Rebecca Romijn-Stamos are the once-happy couple whose 8-year-old son (Cameron Bright) has been struck and killed by a car. When a fertility and genetics expert (Robert De Niro) offers them an opportunity to resurrect their boy through a secret, illegal cloning procedure, they don't know that the doctor's hidden agenda will have horrifying repercussions when the "new" son passes his eighth birthday and begins having "night terrors" about another boy who'd suffered a similarly un! fortunate fate. Any casual viewer will catch the plot twist early, after which Godsend presses its flimsy premise past the breaking point. There are some eerie moments involving the kid (and Bright has effectively disturbing presence), but wretched dialogue and derivative plotting undermine the talented leads, all of whom seem to be slumming in the B-movie cellar. --Jeff Shannonrian Cathcart, a 27-year-old black man, is a private investigator of a different sort. He only takes serious cases that the police have abandoned. When asked what kind of laws he might break, Brian counted on his fingers while saying, "Illegal phone taps, bribery, extortion, assault, blackmail, threats--"

After solving a missing persons case, which turned out to be a 12-year-old homicide, Brian hardly has time to celebrate. His girlfriend is killed and his assistant is shot in the chest, so he wants to close Godsend Private Investigations before the agency can even get starte! d good. But then something changes his mind: A wealthy couple ! offers h im $600,000 for the return of a kidnapped child. And since Brian himself is the father of an adorable little girl, he decides that his agency shoud exist as a necessary evil. This time he may break a law called homicide.rian Cathcart, a 27-year-old black man, is a private investigator of a different sort. He only takes serious cases that the police have abandoned. When asked what kind of laws he might break, Brian counted on his fingers while saying, "Illegal phone taps, bribery, extortion, assault, blackmail, threats--"

After solving a missing persons case, which turned out to be a 12-year-old homicide, Brian hardly has time to celebrate. His girlfriend is killed and his assistant is shot in the chest, so he wants to close Godsend Private Investigations before the agency can even get started good. But then something changes his mind: A wealthy couple offers him $600,000 for the return of a kidnapped child. And since Brian himself is the father of an adorable little g! irl, he decides that his agency shoud exist as a necessary evil. This time he may break a law called homicide.Great collectible for any Heroes Fan. This helix has much meaning in the Heroes series.

Flightplan (Widescreen Edition)

  • DVD Details: Actors: Jodie Foster, Peter Sarsgaard, Sean Bean, Robert Schwentke, Alec Hammond
  • Directors: Robert Schwentke, Karen Inwood Somers
  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Buena Vista Home Entertainment / Touchstone
  • DVD Release Date: January 24, 2006; Run Time: 98 minutes
Academy Award(R) winner Jodie Foster (Best Actress, THE SILENCE OF THE LAMBS, 1991) gives an outstanding performance in the heart-pumping action thriller FLIGHTPLAN. Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's (Foster) 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter! . From the producer of APOLLO 13 and A BEAUTIFUL MIND, FLIGHTPLAN is an intense, suspense-filled thriller that will keep you on the edge of your seat the entire flight.Like a lot of stylishly persuasive thrillers, Flightplan is more fun to watch than it is to think about. There's much to admire in this hermetically sealed mystery, in which a propulsion engineer and grieving widow (Jodie Foster) takes her 6-year-old daughter (and a coffin containing her husband's body) on a transatlantic flight aboard a brand-new jumbo jet she helped design, and faces a mother's worst nightmare when her daughter (Marlene Lawston) goes missing. But how can that be? Is she delusional? Are the flight crew, the captain (Sean Bean) and a seemingly sympathetic sky marshal (Peter Sarsgaard) playing out some kind of conspiratorial abduction? In making his first English-language feature, German director Robert Schwentke milks the mother's dilemma for all it's worth, and Foster's intense yet su! btly nuanced performance (which builds on a fair amount of pos! t-9/11 p aranoia) encompasses all the shifting emotions required to grab and hold your attention. Alas, this upgraded riff on Hitchcock's The Lady Vanishes (not to mention Otto Preminger's Bunny Lake is Missing) is ultimately too preposterous to hold itself together. Flightplan gives us a dazzling tour of the jumbo jet's high-tech innards, and its suspense is intelligently maintained all the way through to a cathartic conclusion, but the plot-heavy mechanics break down under scrutiny. Your best bet is to fasten your seatbelt and enjoy the thrills on a purely emotional level -- a strategy that worked equally well with Panic Room, Foster's previous thriller about a mother and daughter in peril. --Jeff Shannon

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