Celebrity

• A reporter (Kenneth Branagh) assigned to the celebrity beat finds himself on a collision course with four of the most outrageous people he"s ever met: a sensuous starlet (Melanie Griffith), an-out-of-control movie star (Leonardo DiCaprio), an aspiring actress (Winona Ryder) and a sexy supermodel (Charlize Theron). Together they"re going to take him for an unforgettable walk on the wild side of fam

Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to h! is alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writ! es about their foibles in thinly disguised fiction. No wonder ! they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and! cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWith an incredible all-star cast, this critically acclaimed comedy takes a hysterical look at the pleasures and pitfalls of fortune and fame! Following their divorce, the lives of a restless writer and his inhibited ex-wife take off ! in outrageously unpredictable directions! While Lee (Kenneth B! ranagh - - HAMLET, OTHELLO) explores the wilder side of his newfound freedom, Robin (Judy Davis -- DECONSTRUCTING HARRY) begins an improbable transformaiton from neurotic schoolteacher to high-profile T.V. talk show host! Whether it's partying with supermodels, sexy encounters with movie stars, or interviews with the cream of high society, CELEBRITY offers you a riotous excuse to rub shoulders with the kind of people we all love to celebrate!Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at ce! lebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others.

While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's ! also another in a long line of unlikable male protagonists tha! t Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film.

Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own weddin! g, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both episodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart

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Fakers

• FAKERS is an off-beat, funny crime caper set in the London art world. Nick Blake (Matthew Rhys Decameron, Elizabeth) owes 50,000 and has no way off paying off local crime lord Foster Wright (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth 15,000!! The plan is hatched; to forg

For anyone who has ever liedâ€"or been lied toâ€"True-life tales about faking, from Clifford Irving to Stephen Glass, by an award-winning writer.

Fakers are believedâ€"and, at least for a time, celebratedâ€"because they each promise us, screen-gazing and experience-starved, something real and authentic, a view, however fleeting, of a great thing rarely glimpsed. â€"from Fakers

From James Frey and his fake memories of drug-addled dissolut! ion to Stephen Glass and his fake dispatches from the fringes of politics to the author formerly known as JT LeRoy and his fake rural tough talk, we are beset by real-seeming fiction masquerading as truth. We are living in the era of the fake.

Fakers is a fascinating exploration of the varieties of faking, from its historical roots in satire and con artistry to its current boom. Paul Maliszewski journeys into the heart of our fake world, telling tales of the New York Sun's 1835 moon hoax, the invented poet Ern Malley (the inspiration for Peter Carey's novel My Life as a Fake), and Maliszewski's own satiric letters to the editor of the Business Journal of Central New York (written, unbeknownst to the editor, while he worked there as a reporter). Through these stories, he explains why fakers almost always find believers and often flourish.

Since 1997, the author has been on the trail of fakers and believers, ask! ing the tricksters why they dissembled and the believers why ! they wer e ever fooled. Fakers tells us much about what we believe and want, why we trust, and why we still get duped.

The essays in Fakers explore:

• Jayson Blair's faked New York Times stories, about Jessica Lynch and much else

• Early American con artists

• Oscar Hartzell and the long-running Drake's fortune scam

• Internet hoaxes about man-eating bears

• Han van Meegeren's forged Vermeers

• Clifford Irving's fake autobiography of Howard Hughes

• Michael Chabon's fictionalized version of his early years

• Binjamin Wilkomirski's fabricated Holocaust memoir

• In-depth interviews with three fakers: journalist Michael Finkel, painter Sandow Birk, and performance artist Joey Skaggs

Welcome to London! Pow! This fun, jaunty crime caper set in the London art world is slick, fun with great acting. Nick Blake (Matthew Rhys ABC s Brothers & Sisters) owes 100,000 to local crime lord Foster Wrig! ht (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth £25,000!! A plan is hatched; to forge the drawing and sell it to five London galleries within an hour before anyone cottons onto the fact there's a scam going down. Co- stars Kate Ashfield (Shaun of the Dead).

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Green Zone (Exclusive Special Edition)

• dvd
• thrilling

Academy Award® nominees Matt Damon and director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum) reteam in this action-packed thriller. Damon stars as Roy Miller, a rogue U.S. Army officer who must hunt through covert and faulty intelligence hidden on foreign soil before war escalates in an unstable region. Also starring Academy Award® nominees Greg Kinnear and Amy Ryan, Green Zone is “one hell of a thriller” (Roger Ebert, Chicago Sun-Times).Matt Damon reteams with his Bourne Supremacy director to create a thriller grounded in contemporary politics: the search for weapons of mass destruction in Iraq. Chief Warrant Officer Roy Miller (Damon) travels across war-torn Iraq, pursuing the intelligence he's been given, but every site indicated comes up empty of WMDs. Investigating the source of the intelligence, he finds himself caught between CIA agent! Martin Brown (Brendan Gleeson, 28 Days Later) and politician Clark Poundstone (Greg Kinnear, Little Miss Sunshine) over the identity of "Magellan," the supposed source. As Miller tracks down an Iraqi general, he ends up further and further afield, facing danger from all sides. It's hard to say which is the greater accomplishment--that Green Zone manages to turn a still-volatile political issue into a propulsive action movie, or that it manages to depict Iraqi people as individuals with a wide range of responses to what's happened to their country. Damon's performance is low-key but effective as Miller tries to maintain some semblance of moral clarity in a circumstance that muddies everything. Also featuring Amy Ryan (Gone Baby Gone) as a compromised journalist and Khalid Abdalla (The Kite Runner) as an Iraqi civilian who gets dragged into far more than he expected. --Bret FetzerAcademy Award® nominees Matt Damon and director Paul ! Greengrass (The Bourne Supremacy, The Bourne Ultimatum) reteam! in this action-packed thriller. Damon stars as Roy Miller, a rogue U.S. Army officer who must hunt through covert and faulty intelligence hidden on foreign soil before war escalates in an unstable region. Also starring Academy Award® nominees Greg Kinnear and Amy Ryan, Green Zone is “one hell of a thriller” (Roger Ebert, Chicago Sun-Times).Matt Damon reteams with his Bourne Supremacy director to create a thriller grounded in contemporary politics: the search for weapons of mass destruction in Iraq. Chief Warrant Officer Roy Miller (Damon) travels across war-torn Iraq, pursuing the intelligence he's been given, but every site indicated comes up empty of WMDs. Investigating the source of the intelligence, he finds himself caught between CIA agent Martin Brown (Brendan Gleeson, 28 Days Later) and politician Clark Poundstone (Greg Kinnear, Little Miss Sunshine) over the identity of "Magellan," the supposed source. As Miller tracks down an Iraqi general, he end! s up further and further afield, facing danger from all sides. It's hard to say which is the greater accomplishment--that Green Zone manages to turn a still-volatile political issue into a propulsive action movie, or that it manages to depict Iraqi people as individuals with a wide range of responses to what's happened to their country. Damon's performance is low-key but effective as Miller tries to maintain some semblance of moral clarity in a circumstance that muddies everything. Also featuring Amy Ryan (Gone Baby Gone) as a compromised journalist and Khalid Abdalla (The Kite Runner) as an Iraqi civilian who gets dragged into far more than he expected. --Bret FetzerExclusive Special Edition 10 mp 3 Downloads

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Body Colorz⢠Lot of 10 Double Jeweled Gem Belly Navel Rings 14g 7/16"

• Brand New Belly Rings made by Body Colorzâ„¢
• You will receive 10 belly rings of assorted colors (no duplicates)
• 5mm Top Ball / 8mm Bottom Ball (Threaded interchangable tops)
• High Quality 316L Surgical Steel
• Standard 14 Gauge 7/16"

BELLY SPECIAL EDITION - DVD MovieFrom acclaimed director Hype Williams comes this realistic urban drama highlighted by an all-star hip-hop cast, visually dazzling cinematography and a pulsing rap soundtrack. Widescreen/Blu Ray of Belly a drama released in 1998 featuring Method Man, Nas, DMX, Taral Hicks. Tionne 'T-Boz' Watkins, Hassan Johnson, Power, Louie Rankin, Tyrin Turner, Stanley Drayton, Kurt Loder, The Rev. Benjamin F. Muhammed. Director: Hype Williams. Synopsis: On the run from the feds and dodging bullets from their rivals, two longtime friends begin to question each other's loyalty. Rating: R for strong violence, language! , sexuality and drug use. Length: 95 MinutesBeautiful bling bling belly button ring with over 105 Swarowski crystals. You cannot see any empty spots between the crystals. The top ball is 6MM and the bottom ball is 9MM. All the crystals are hand set.Star by BELLY

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

After playing supporting roles in Throwing Muses and the Breeders, Tanya Donelly proves she's got the vision/songs/smarts to pilot her own vehicle. "Angel," "Dusted," and "Feed the Tree" are short, sharp, edgy pop. --Jeff BatemanBorn into a life of crime, G (The Game) has just spent 8 years in the pen. Now, out on the streets, he's back to his old ways, wondering if a con can ever really straighten out. Things become more complex when G hooks up with Alexis (Shari Headley) who makes her living upholding the law. Inspired by a true story.Set of 10 Body Colorzâ„¢ brand double gem jewel! ed belly rings (no duplicate colors). Colors may vary from tho! se shown in the picture.

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Festival Express

• Festival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and p

Festival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and performers lived, slept, rehearsed and did countless unmentionable things aboard a customized train that ! traveled from Toronto, to Calgary, to Winnipeg, with each stop culminating in a mega-concert. The entire experience, both off-stage and on, was filmed but the extensive footage remained locked away -- until now. A momentous achievement in rock film archeology, Festival Express combines this long-lost material with contemporary interviews nearly 35 years after it was first filmed.

DVD Features:
DVD ROM Features
Theatrical Trailer

The vintage concert footage alone makes Festival Express a memorable and worthwhile endeavor, offering scintillating performances by Janis Joplin, the Band (their rollicking version of "Slippin' and Slidin'" is particularly mind-blowing), the Grateful Dead, Buddy Guy, and others (remember Mashmakhan?). In 1970, during the heyday of the rock festival, promoter Ken Walker decided to organize a traveling musical revue, bringing the mountain to Mohammed, as it were. In five days' time, the festival played in t! hree Canadian cities with the entire conglomeration traveling,! playing , and getting smashed together the whole way. Nearly as rewarding as the live performances are the candid scenes of the train ride itself, an endless jam session and party during which musicians of all shapes and sizes let their hair down--musically and otherwise. The contemporary interviews with Walker and some of the surviving musicians aren't particularly noteworthy, except as a way to prove that it all actually happened. Walker comes off as a hero in the film: he treated the musicians like royalty and insisted that the train roll on even though he was losing his shirt. (His financial failure is a large reason why this material stayed in the vaults for so long.) Perhaps the most remarkable scene is an off-the-cuff, LSD-fueled train jam featuring Joplin, the Band's Rick Danko, and the Dead's Jerry Garcia playing the old chestnut "Ain't No More Cane." Danko is so obliterated that even Janis has to ask him if he's OK--when Janis is worried about your state of mind, yo! u must be pretty messed up. --Marc Greilsamer

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Caught Up!

• ISBN13: 9780972800501
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakIt's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the l! atter. Starring Bokeem Woodbine as Darryl, an ex-con who wants! to go s traight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're simply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak It's no wonder ! Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted! plot for laughs, it may have at least been a camp parody on ! the genr e, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakWhen Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

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The Adventures of Brisco County, Jr.: The Complete Series

• Condition: New
• Format: DVD
• Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; NTSC

Mud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement home, it's up to an aging, cantankerous "Elvis" (Bruce Campbell) and a decrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business?Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with! JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanMud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement ho! me, it's up to an aging, cantankerous "Elvis" (Bruce Campbell)! and a d ecrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business? Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the sou! ls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanDon Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed! black and had his brain removed, presumably for reasons of na! tional s ecurity. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanSomething evil is stirring in the small mining town of Gold Lick, and it's not happy. Guan-di, the Chinese protector of the dead with a strange affinity for bean curd, has been awakened by reckless teenagers, and now hi! s bloody crusade to wipe out the town's entire population can only be stopped by one man - Bruce Campbell (the guy who starred in all three Evil Dead movies and Bubba Ho-tep), B-move star and deadbeat ex-husband extraordinaire, who's recruited to be their unwitting savior. Thinking the whole scenario's a publicity prank, Bruce is distracted from his mission by a hot mom and fan boys aplenty-- but when our hero has to face off against a dark force more fearsome than a Hollywood agent, the laughs and screams start flying!

Includes Collectible 24-page MY NAME IS BRUCE comic book inside

Special Features:
-Feature-length commentary with director/actor Bruce Campbell and producer Mike Richardson
-Documentary: Heart of Dorkness The Making of My Name is Bruce
-Featurettes: Bruce On..., Beyond Inside the Cave: The Making of CaveAlien 2, Kif s Korner, Awkward Moments with Kif, Love Birds, Hard Truth News from Hollywood The Real Bruce Campbell
-CaveAlien 2 ! Trailer, My Name is Bruce Trailer
-Poster Art Gallery, Prop! s Art Ga llery, Photo GalleryCult film and TV star Bruce Campbell (Burn Notice) lampoons his own B-movie legacy with My Name is Bruce, an agreeably goofy horror-comedy which pits him--well, a version of him, anyway--against a malevolent Asian spirit in order to save a die-hard fan. Campbell also directed Bruce, and brings a loose, kitchen-sink vibe to the proceedings, which has teenager and die-hard Bruce Campbell fan Jeff (Taylor Sharp) kidnap his idol in order to save his small town from an ancient Chinese demon. Unfortunately, the movie Bruce Campbell is a broken-down, booze-swilling reprobate who lacks even an ounce of the insouciant charm of his screen persona in Evil Dead 2 or the Hercules series, and proves woefully inadequate in dispelling the monster. But as films ranging from Cat Ballou and My Favorite Year to Galaxy Quest and Three Amigos! have proven, the unwavering belief of a fan can bring out the h! ero in even the worst heel, and Bruce rises to the occasion in the picture's final third. Obviously, Bruce is slated towards fans of Campbell's eccentric screen c.v., and aficionados will undoubtedly appreciate the endless slew of nods to his previous films, as well as cameos by many of his co-stars, including Ted Raimi in multiple roles (one of which is a Chinese gentleman that gives Mickey Rooney in Breakfast at Tiffany's a run for his money in the stereotype department). Campbell himself remains the movie's chief selling point; his knack for physical humor (read: self-abuse) and pulpy line readings have lost none of their charm, which does much to override some of the flick's flotilla of stale gags. Campbell's sense of humor is also given free reign on the commentary track, which he shares with producer Mike Richardson; the DVD, which comes with a 24-page comic book adaptation from Dark Horse, also includes an amusing making-of featurette, as well as a ! spoofy tell-all mockumentary on the "real" Bruce Campbell, and! a trail er for the atrocious film-within-a-film, Cavealien 2. -- Paul Gaita

Stills from My Name is Bruce (Click for larger image) Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death", then missed his chance to switch back. Elvis teams ! up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds.The world's favorite western/sci-fi/comedy/action cult hit rides again! Here on 8 discs is the complete series about Brisco (Bruce Campbell), a tough-as-rawhide cowpoke, debonair ladies' man and Harvard-educated smarty-britches who roams from Frisco to Jalisco in pursuit of outlaws who killed his father...and in search of a mysterious orb possessing out-of-this world powers. Hot lead and cool anachronisms await Brisco as he and his sidekicks - including Comet, the intellectual equine who doesn't know he's a horse - fight for justice in the way, way, way-out West. Put your boots in your stirrups, your tongue in your cheek and join the fun. Let's play cowboys and aliens.

DVD Features:
Audio Comme! ntary
Documentary
Featurette
Oth! erDocumentaries:The History of Brisco County: A behind-the-scenes documentary with cast and creator.
Featurette:1.) "Tools of the Trade" - mini featurettes on special aspects of the show narrated by Bruce Campbell. 2.) "A Brisco County Writer's Room" - Roundtable discussion with the writers & producers fo Adventures of Brisco County, Jr.
Other:1.) "A Reading From The Book of Bruce" 2.) "Brisco's Book of Coming Things" - interactive menu launching mini-featurettes about the signature references to futuristic elements of the show, narrated by Bruce Campbell.

A science fiction-Western and comedy-drama with echoes of The Wild Wild West and Raiders of the Lost Ark, The Adventures of Brisco County Jr.: The Complete Series is uniquely entertaining. Anchored by the comically heroic style of likable B-movie actor Bruce Campbell, Adventures lasted one television season in 1993-94. But it left behind a full 27 episodes (inc! luding two two-part stories) full of classic TV Western production values and a running storyline that resembles The X-Files after awhile.

Campbell plays Brisco County Jr., a bounty hunter and son of a legendary U.S. marshal (R. Lee Ermey) gunned down by the villainous John Bly (Billy Drago) and his band of misfits. The younger Brisco is hired by a consortium of businessmen to protect their interests from the likes of Bly, and while he's dedicated to that cause, Brisco is also determined to avenge his father's murder. Helping him do a little of both is a fussy attorney, Socrates Poole (Christian Clemenson); a rival bounty hunter, Lord Bowler (Julius Carry); a wacky inventor, Professor Wickwire (John Astin); and a sultry saloon singer, Dixie (Kelly Rutherford). Rockets, mysterious orbs, and superhuman strength are some of the delightfully out-of-their-element phenomena that find themselves alongside more conventional cowpoke ingredients, including a horse so smar! t he can chew the ropes binding Brisco's hands. For the most p! art, the stories stand alone. But as the season progresses, a lot of things get weirder, albeit in a good way: the truth about Bly and his connection to a golden orb everyone wants, for example, are certainly unexpected. But the show is always dazzling, often satiric ("Oy!" Dixie exclaims when Brisco outlines the steps involved in stopping a runaway wagon they're trapped within), yet heartening in an old-fashioned way. Special features include Campbell's reading of a chapter about the series in his autobiography. --Tom Keogh

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Arctic Tale

• Awe-inspiring adventure

This heartbreaking documentary puts a face on the sad statistics of global warming--and though it's not a human face, it's the perhaps even more effective face of an adorable polar bear cub, Nanu, along with her mother, her brother, and her natural enemy, the equally heart-melting Seela the walrus. With breathtaking footage of life on the arctic tundra, the directors spin a highly emotional tale of the melting ice caps and the effect of their disappearance on every species in the ecosystem. Since the film is essentially aimed at children, the cuteness factor is off the charts, aided by the slightly grating use of sound effects, a slangy voiceover by Queen Latifah, and a kid-friendly pop/folk soundtrack. And, as in a National Geographic special, viewers learn some interesting and neutral facts about polar bears, walruses, narwhals, foxes, and other northern creatures. T! he narrative, however, returns repeatedly to the grim conditions that are killing off our planet's wildlife, one family at a time. The directors take pains to create a hopeful ending, with a sweet pair of life-goes-on epilogues and a closing credit sequence featuring conservation tips, but the message of the film is sobering and hits its mark with kids and adults alike.The frozen Arctic is home to polar bears and walruses, two very different types of animals whose struggle to survive against the elements is only being made more difficult by a changing climate. Directors Adam Ravetech and Sarah Robertson filmed walruses and polar bears in the Arctic for 15 years in order to create this amazing story about the lives of Nanu the baby polar bear and a newborn walrus dubbed Seelah. Striking footage from land and sea is combined with effective narration by Queen Latifa and pop music by Joby Talbot to chronicle these creatures' lives from the babies' first days of existence, thr! ough two years of training in hunting and fighting by their re! spective mothers and the changes in the icy world that are necessitating new adaptations by these animals, and a contemplation of the chances of both species' continued survival. Like March of the Penguins, the footage of the animals of the Arctic and the formation and breaking up of the ice is exquisite, but perhaps even more striking is the clear evidence of climate change in the delayed formation of the ice in the autumn and its progressively earlier thawing and breaking up each spring. The polar bears' and walruses' resilience and instinctual ability to adapt and change in the face of the negative effects of global warming in order to survive is stressed, and viewers are left pondering why man cannot similarly adapt and change his ways in order to positively affect the world. Bonus features include an interesting "making of" featurette with Adam Ravetech and Sarah Robertson that describes their travels, trials, and enormous gratitude for the assistance of the Intuit pe! ople and a fun Are We There Yet? World Adventure: Polar Bear Spotting mini-adventure for kids in which Molly and Sam go looking for polar bears in a tundra buggy. (Ages 5 and older) --Tami Horiuchi

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Halloween [Blu-ray]

• The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis, in her debut role, plays a babysitter who must protect herself from the deadly Michael Myers, a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent mo

The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis in her debut role plays a babysitter who must protect herself from the deadly Michael Myers a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent motion picture of all time" HALLOWEEN is also one of most frightening films ever made.System Requirements:Run! ning Time: 92 mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 013131542899 Manufacturer No: DV15428Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loo! mis, after John Gavin's character in Psycho. In the end! , though , Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly moun! ted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more install! ments: 1981's dismal Halloween II, which picked up the ! story th e day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert HortonNo Description Available.
Genre: Horror
Rating: NR
Release Date: 2-OCT-2007
Media Type: Blu-RayHalloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pic! tures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small! town of Haddonfield, Illinois, a teenage baby sitter tries to! survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at th! e screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton

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