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While the early 20th centu! ry was r ich with creative energy, no one brought theater and dance to the forefront of culture quite like Sergei Diaghilev did with his extraordinary Ballets Russes. From 1909 to 1929, the Ballets Russes attracted the involvement of major artists, composers, and designers. Now,Ă‚ this major book, published to accompany a retrospective exhibition at the Victoria and Albert Museum, London, examines the origins, development, and long-term influence of the Ballets Russes and celebrates the centenary of their first appearance in 1909.Ă‚
Diaghilev's extraordinary company revolutionized ballet for all time. The book shows Diaghilev's use of avant-garde composers such as Stravinsky, dancers such as Nijinsky and Massine, and designers such as Bakst, Goncharova, Picasso, Matisse, and Chanel, and even a very young George Balanchine, all of whom helped to create true collabrations never before seen in the performing arts. works This beautiful book showcases artistic collaboration at its fin! est.
PRAISE FOR DIAGHILEV AND THE GOLDEN AGE OF THE BALLETS RUSSES
"The best accompaniment for the exhibition is the sumptuous illustrated catalog, edited by Jane Pritchard, who co-curated the exhibit along with Geoffrey Marsh. In its close-up details of costume, its black and white images of ballet and its lucid and intelligent texts, the book covers subjects that are not discussed in the museum show.Ă‚ This fascinating book should be on every ballet loversĂ¢ holiday gift list."--Suzy Menkes, The New YorkĂ‚ Times
Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909-1929), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding glamour--and often creating scandal--wherever it appeared.
The costumes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle ! of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today.
This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.In May 1909, Sergei Diaghilev astonished the world of dance with his first ballet presentations in Paris that demonstrated an unprecedented combination of vitality and grace, originality, and technical sophistication. This catalogue of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum. DiaghilevĂ¢s scenic achievements are complem! ented by a number of contextual paintings, drawings, and other! artifac ts, which help to define RussiaĂ¢s cultural renaissance of the first decades of the twentieth century. The documentary section of the catalog contains rich archival material, including letters, photographs, choreographic notes, and memoirs, many published here for the first time.
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The inspiration for the award-winning motion picture: "Candid, unsentimental and extremely funny. I read it in one glorious go, laughing and crying throughout."Ă¢"ZoĂƒ« Heller
When Lynn Barber was sixteen, a stranger in a maroon sports car pulled up beside her as she was on her way home from school and offered her a ride. It was the beginning of a long journey from innocence to precocious experienceĂ¢"an affair with an older man that ! would change her life. BarberĂ¢s seducer left her with a taste for luxury hotels and posh restaurants and trips abroad, expensive habits that she managed to support in later life as a successful London journalist whose barbed interviews at once terrorized and fascinated her smart-set subjects.