- The slicer versus the slasher? Two titans of terror going at it mano-a-machete? They re gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he can t haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back and so is Freddy. One problem: Jason isn t about to stop offing people. An
It's the battle everyone's been DYING to see! Teenagers find themselves caught in the middle of a battle between two legendary boogeymen: Jason Voorhees and Freddy Krueger. Who will win in the bloodiest and goriest showdown in history?
DVD Features:
3D Animated Menus
Alternate endings:Alternate opening and Ending
Audio Commentary:Commentary with Director Ronny Yu, Actors Robert Englund (FREDDY) & Ken Kirzinger (JASON)
Comparison Scenes
DVD ROM ! Features
Deleted Scenes:18 Deleted Scenes with optional commentary from Director Ronnie Yu and Executive Producer Douglas Curtis
Documentaries:--Behind the scenes coverage of the films development - including screenwriting, set design, make up, stunts and principle photography --Visual effects exploration
Featurette
Full Screen Version:Both fullscreen and Widescreen on one disc
Interviews
Music Video:Ill Nino "How Can I Live"
Storyboards
TV Spot:Lots of TV spots
Theatrical Trailer
After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of
Freddy vs. Jason finally arrives. After making their respective debuts in
Friday the 13th (1980) and
A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Kr! ueger (Robert Englund) square off in a slasher-franchise combo! -deal th at only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comparable to half of their previous sequels, and
Bride of Chucky director Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of
Nightmare's Elm Street and
Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is?
--Jeff ShannonThe slicer versus the slasher? Two titans of terror going at it mano-a-machete? Theyâre gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he c! anât haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back â" and so is Freddy. One problem: Jason isnât about to stop offing people. And another: Freddy isnât about to let Jason rule Elm Street. This means war. Freddy Vs. Jason. Winner kills all.After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of
Freddy vs. Jason finally arrives. After making their respective debuts in
Friday the 13th (1980) and
A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Krueger (Robert Englund) square off in a slasher-franchise combo-deal that only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comp! arable to half of their previous sequels, and
Bride of Chuc! ky d irector Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of
Nightmare's Elm Street and
Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is?
--Jeff Shannon
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